Showing posts with label disaster. Show all posts
Showing posts with label disaster. Show all posts

Sunday, July 01, 2007

Life of Pi

By Yann Martel
In the beginning I found this book irritating; a character announces sententiously that “this is a story that will make you believe in God”, and the main character, Pi (short for Piscene) is a little righteous in his unwavering belief in God and his dismissal of agnostics and atheists alike. My hackles went up, me being a card-carrying atheist and all.

Pi, who grows up in his father’s zoo in Pondicherry, India, is also righteous on the matter of zoos, and this also made me cranky. Sure, animals can be content in a well-managed zoo enclosure and zoos are important for preserving endangered species, in particular, but he seemed to have no concept that animals could be bored – food and shelter isn’t everything. Also, he assumes all animals are the same - Pi describes cases where zoo animals have had the opportunity to escape and haven’t budged, or have returned to their cages after a short experience of the wider world. I once left my mouse cage door open all night; out of 11 mice only two bothered to escape. Some animals are just bolder or more curious or more active, whereas their brothers and sisters might be more cautious or afraid.

Listen to me, the animal behaviour expert. Where was I? As a Hindu, Pi becomes interested in other religions in his early teens and ends up becoming a baptised Christian and a Muslim as well. This, unsurprisingly, appalls the local priest, pandit and imam when they all meet (by chance) in the town market and congratulate Pi’s parents on their son’s piety and then realise he has been worshipping “at the altar” (so to speak) of all three on a regular basis.

This made me quite fond of Pi. It was interesting to read Pi’s impressions of two other religions, when compared to the Hindu faith – how ridiculously fallible yet reassuringly human Jesus Christ seemed when compared with Hindu gods (I mean, he walks places! What God does that??); Islam’s physicality of worship and its connection with the earth (worship outside!). I have no idea whether Yann Martel is Hindu himself (he was born in Spain so it seems unlikely) so I don’t know how much we can believe in the authenticity of these perceptions, but Pi’s beliefs are engaging - in Gandhi’s words “All religions are true” and in Pi’s own, “I just want to love God”.

This all reminded me of the CS Lewis’ Narnia series, where in The Last Battle the “good” god Aslan reveals that if you do good things in the name of the “bad” god, Tash, you are really doing them for Aslan, and vice versa. In other words, it doesn’t matter who’s name you are worshipping or the manner in which you are worshipping, it is your actions that count in the end. The Narnia books are often held in deep suspicion as being sneakily religious, like they were the literary form of a Mormon doorknocker, but I can testify that in at least one case they helped make an atheist. How silly it seemed to me that a religion should declare that there is only one right way to worship! If there is a God, or gods, it seems pretty unfair to condemn the majority of humanity to hell (or wherever) merely for using the wrong name.

I seem to have got distracted again. Anyway, the book picked up for me from there – Pi’s family decides to move to Canada during the political upheavals of the 1970s and arrange to sell all their animals, many to zoos in North America. They board a cargo ship, with their animals, and set sail. The ship sinks, and Pi finds himself on a life raft with a wounded zebra, a hyena, an orang-utan and very large Royal Bengal tiger.

The zebra, hyena and orang-utan don’t last very long; it is only Pi’s knowledge of animal behaviour that allows him to set up an uneasy truce with the tiger. This part of the book is quite lovely, even though it portrays suffering – in particular, Pi’s descriptions of the sea life he observes. It actually made me want to be adrift in a lifeboat, which I know is silly. (Also I would love to be adrift with a tiger, even though that is really silly, because it would eat me).

So I came round to this book in the end. There were some interesting philosophical bits, some thoughts are provoked (obviously, looking back at my previous rants!) and a mean twist at the end. (I won’t give it away for those who haven’t read it). In the end Martel seems to want you to think about what you want to believe is true – Christian, Muslim, Hindu or atheist – rather than what there is proof for.

Rating: 7 out of 10

Saturday, June 30, 2007

The Andromeda Strain

By Michael Crichton
Michael Crichton must be a rich man. This book was written in 1969, and was followed fairly quickly by a a film version (involving lots of white lab coats, I’m told), and it seems barely a year has gone past since without some other Michael Crichton blockbuster on our screens or bookshelves.

Well, I’m pleased to report that The Andromeda Strain is a bit of a page-turner. A space probe returns to earth and is found by some unsuspecting civilians. It seems that the probe contains some kind of alien life form, because shortly after the unsuspecting civilians find the probe, they are all dead – so quickly they probably didn’t even have time to think something like “By Gad, that probe must have contained some alien life form!”. (It’s only a small town of about 50 or so, though; in a modern film version I imagine they’d up the body count). The government agents sent to retrieve the probe also die mysteriously, although not particularly gruesomely (the bug causes blood to clot almost instantly, so there are no bloody external hemorrhages from orifices or anything). This puts in motion the “Wildfire Protocol”, in which five specialists are called in to deal with the situation.

However, those smartypants at mission control who thought they’d thought of everything had missed a few tricks. They’d obviously never had to put together a Disaster Plan because one of the critical specialists was ill (busted appendix or something) and they had no back-up!! Maybe things work differently in top-secret government circles. Several other things went wrong during the response; the book is kind of written like a after-the-fact review of what went wrong with the plan - what us Disaster Planners like to call a “debriefing”, because it makes us feel important.

The Andromeda Strain has a kind of “old-time” feel about it, being a 60s jobbie and all, but not just because the technology described is so obviously now out-of-date. The old-time feel is also due to the pacing and the focus – like how even that gem of an action film, Die Hard, seems awfully slow to get going by today’s standards. By today’s standards, the Andromeda Strain didn’t feature nearly enough gruesome deaths, and the inevitable containment-field-broken-will-they-stop-the-self-destruct-bomb cliffhanger sequence was over remarkably quickly. Crichton spends a lot of time talking about the science of it all – how they set up Wildfire (hidden in a cornfield, no less! Were all those episodes of the X-files merely an homage to Andromeda??), why they set up the area, the design of Wildfire, the decontamination processes, what happens exactly when such and such occurs…it all lends to the aura of plausibility, but after a while I did wish for a bit less scientific justification of the plot and a few more acts of unsubstantiated derring-do. After all, these days all you have to do is have someone say something like “By Gad, Captain, some alien force has constructed a web of crippling anomalies!” and we don’t bat an eyelid. Those tricky crippling anomalies – they’ll get you every time!

Rating: 7.5 out of 10

Saturday, July 23, 2005

The War of the Worlds (2005)

The War of the Worlds
By HG Wells

I grew up listening to the 1975 rock opera of “The War of the Worlds”, co-written by someone from The Moody Blues and featuring the voice of Richard Burton as hero-voiceover man. It was one of my favourite pieces of music in the whole world, along with “Carmina Burana” by Karl Orff. (Yes, my mother was worried). So, which is better – the book, or the 1970s rock opera?? The rock opera. No wait a minute, of course I didn’t mean that…the book, the book is better, of course, it’s the book. But the rock opera will always hold a special place in my heart…

Still it was peculiar reading the book knowing the words to the rock opera nearly off by heart – bits of sentences would lapse into Richard Burton voiceover and synthesisers in my head and then lapse back into my imaginary 1890s voiceover, which made it a bit of a disjointed reading experience. The rock opera was quite clever at pulling out Wells’ really striking sentences though. I will have to go and see the film now and find out if they used any of the original text – I hope not, because I really don’t want to have Tom Cruise voiceover in my head as well.

Interesting to compare the differences between 1895 and 1975 though – in the book the main character is married (i.e. does not have a girlfriend called Carrie living in London with her Dad), there is no “Beth” who is the pastor’s female companion (I think they must have decided they needed at least one chick in the rock opera so they made her up), the whole section with the Parson is much more “Lord of the Flies” than I expected, and the aliens do not run around going “Ooohhhlaaaaaa!” (spelt “Ulla”) like they do in the rock opera. (There are a few Ullas at the end of the book when the Martians are feeling a bit poorly). The aliens still get killed by “minute, invisible bacteria” though – oh dang, I just gave away the ending!

It was also interesting reading this book in today’s climate of terrorist attacks and live media coverage. Back in 1895, when the book was written, Martians could attack Woking and it would take a few days for the news to reach London, all communication was by telegram, and even then no one really believed it. (MARTIANS LANDED STOP SEND REINFORCEMENTS STOP). The hero and his wife escape on a horse and cart. People learn all their news from the papers. (Golly the hero reads a lot of papers – including the St James’ Gazette!). Not being from 1895 and therefore unable to check matters of accuracy, the book seemed a surprisingly realistic account of how an alien invasion may have progressed at the time, and I’m not surprised it fooled some people when it was broadcast as a radio show a few decades later.

Still, I’m very glad to find out that Wells was not responsible for the line (on discovering one of the Martian attack machines has headed off to London) “London! I hadn’t dreamed there could be danger to Carrie and her father so many miles away!” which struck me as a stupid thing to say even when I was 10 because after all they’ve already made it from Mars.

The 1890s make themselves felt in other ways, as demonstrated by the following excerpt: And before we judge them [the Martians] too harshly, we must remember what ruthless and utter destruction our own species has wrought…upon its own inferior races. The Tasmanians, in spite of their human likeness, were entirely swept out of existence in a war of extermination waged by European immigrants, in the space of fifty years. I’m not sure which was the more startling assertion – that the Tasmanian Aboriginal people were “like” humans, or that a war of extermination was waged – it’s not often you hear of that part of our history actually called a war, or even that there was a conscious effort to kill the Aboriginals, and it is particularly unexpected in a nineteenth-century text.

Rating: 8 out of 10
A book to read because it is interesting, rather than because it is emotionally involving.